sexta-feira, 11 de janeiro de 2013

Les Baxter - Legends of Lounge - Vol. 2

  1. Exodus
  2. Autumn Leaves
  3. Morning On the Meadow
  4. Pizzicato Riff
  5. Dancing Diamonds
  6. Walk On The Wild Side
  7. Theme from The Wonderful World Of The Brothers Grimm
  8. La Vie En Rose
  9. Atlantis
  10. The Medic Theme
  11. Congo Train
  12. Jewels Of The Sea
  13. The High And The Mighty
  14. Taboo
  15. Elaine
  16. Love Song from Mutiny On The Bounty (Follow Me)
  17. Tender Is The Night
  18. There is Nothin' Like A Dame
Legends of Lounge 2

Les Baxter is a pianist who composed and arranged for the top swing bands of the ’40s and ’50s, but he is better known as the founder of exotica, a variation of easy listening that glorified the sounds and styles of Polynesia, Africa, and South America, even as it retained the traditional string-and-horn arrangements of instrumental pop. Exotica became a massively popular trend in the ’50s, with thousands of record buyers listening to Baxter, Martin Denny, and their imitators. Baxter also pioneered the use of the electronic instrument the theremin, which has a haunting, howling sound.

Baxter studied piano at the Detroit Conservatory and Pepperdine College in Los Angeles. After he completed school, he abandoned the piano and became a vocalist. When he was 23, he joined Mel Tormé‘s Mel-Tones. The group sang on Artie Shaw records, including the hit “What Is This Thing Called Love.”

In 1950, he became an arranger and conductor for Capitol Records, working on hits by Nat King Cole, including “Mona Lisa.” Around the same time, Baxter began recording his own albums. In 1948, he released a triple-78 album called Music out of the Moon, which ushered in space-age pop with its use of the theremin. Four years later, he began recording exotica albums with Le Sacre du Sauvage.

On his early-’50s singles Baxter was relatively straightforward, performing versions of standards like the number one hits “Unchained Melody” and “The Poor People of Paris,” but on his albums he experimented with all sorts of world musics, adapting them for his orchestra. As he was recording his exotica albums, Baxter was also the musical director for the radio show Halls of Ivy, plus Abbott & Costello radio shows; he also composed over 100 film scores, concentrating on horror movies and teenage musicals and comedies, though he also did dramas like Giant.

Baxter‘s heyday was in the ’50s and ’60s. Although he continued to compose and record in the ’70s, his output was sporadic. Nevertheless, a cult following formed around his exotica recordings that persisted into the ’90s.


2 comentários:

  1. A sad footnote to this bio, in his later years Les Baxter suffered from altzheimers and while he knew who he was, he was unable to realize the great cult hero he had become among youth. In one interview I read, he lamented on and on how the world had forgotten him, how he was hearing his influence on the radio and in movies and yet not one of them would even bother to call or write let alone interview him as the father of the new exotica movements. It truly troubled him, but what he did not recall is that earlier that very day a new-music magazine journalist had interviewed him at length to do a feature article on his influence.

  2. Thanks for the tidbit mrG. And thanks to E&W and Vova Arks for some wonderful Baxterian delights.


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