- Just One of Those Things
- Lullaby in Rhythm
- The Nearness of You
- With A Little Bit of Luck
- A Foggy Night
- Bernie's Tune
- Love Me or Leave Me
- Sometimes A Heart Goes Astray
- Whispering
- I Can't Believe that You're in Love with Me
Personnel:
Armando Trovajoli (piano);
Gino Marinacci (flute);
Enzo Grillini (guitar);
Berto Pisano (bass);
Sergio Conti (drums);
Franco Chiari (vibes)
Armando Trovajoli (2 September 1917 - 28 February 2013), who has died aged 95, was a prolific composer for
Italian films and stage musicals. He worked with many of Italy's leading
directors, including Mario Monicelli, Dino Risi,
Ettore Scola and Vittorio De Sica, for whom he composed music for La
Ciociara (Two Women, 1960) and Matrimonio all'Italiana (Marriage Italian
Style, 1964), both of which starred Sophia Loren,
who became a friend. When Loren was going to Hollywood for the first
time in the mid-1950s, Trovajoli composed and recorded with his
orchestra a song in Neapolitan for her, Che M'è 'Mparato a Fà (What Did You Teach Me to Do?), which did much to launch her in the US.
Trovajoli
was born into an upper-middle-class family in Rome. He learned to play
the violin as a boy and, in the 1930s, studied piano at the Santa
Cecilia conservatory. By 1939 he was playing with a leading jazz band.
After the second world war, when Italians were finally able to listen to
the latest American music, Trovajoli played with an Italian orchestra
at a jazz festival at the Salle Pleyel in Paris, where Miles Davis and
Charlie Parker were on the bill.
His professional musical
activities were eclectic, beginning with performances as a pianist and
composer for the radio. After composing music for Riso Amaro (Bitter
Rice, 1949) with Goffredo Petrassi, Trovajoli composed for another
box-office hit, Alberto Lattuada's Anna
(1951), starring Silvana Mangano as the eponymous nun. In the film,
Anna dances a tango and sings Trovajoli's song El Negro Zumbon, which
went on to become an international hit in a recording by Amália
Rodrigues.
In 1962 Trovajoli was asked to compose the music for a
film by the director Pasquale Festa Campanile about the 19th-century
Roman popular hero Rugantino. By coincidence, the managers of the
Sistina theatre, in Rome, Pietro Garinei
and Sandro Giovannini, were also preparing a musical stage comedy about
Rugantino. To avoid the clash, it was agreed that Campanile would make
his film later, and Garinei and Giovannini were able to engage Trovajoli
to write the music for their show. It opened in December 1962 and
became an immediate hit. One of the numbers, written in Roman dialect,
Roma Nun fa' la Stupida Stasera (Rome Don't Be Stupid This Evening), is
still treated by locals as the city's paean. The show was revived many
times.
An enthusiastic review in January 1963 was read by two
American impresarios who travelled to Rome to see it. One wanted to
translate it into English but Garinei and Giovannini accepted the other
proposal, which was to bring the show to New York in its original
Italian production, with the addition of English surtitles. It turned
out to be a success; the two-week scheduled run was extended for a
further three weeks.
This was the first of many musical stage
comedies that Trovajoli, Garinei and Giovannini did together. In 1965
they made Ciao Rudy, with Marcello Mastroianni taking the role of
Rudolph Valentino. His performance won audiences' sympathy but the show
was not a great success. A much bigger hit was Aggiungi un Posto a
Tavola (Add An Extra Seat at the Table) – though Trovajoli, not a
religious man, was embarrassed by the evangelical tone of the show. It
would be seen in London in English as Beyond the Rainbow.
Trovajoli
is survived by his second wife, Maria Paola, and their son, Giorgio;
and a son, Howard, from his marriage to the actor Pier Angeli, which
ended in divorce.
(By John Francis Lane from guardian.co.uk)



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