- Night Lights (1956)
- I Got Love (1955)
- Stay (1955)
- Mr. Juke Box (1955)
- I Just Found Out About Love (1955)
- Dame Crazy (1955)
- Too Young to Go Steady (1955)
- Love Me as Though There Were No Tomorrow (1955)
- The Shadows (1956)
- Believe (1955)
- To the Ends of the Earth (1956)
- Never Let Me Go (1956)
- I Promise You (1956)
- The Way I Love You (1956)
- Once Before (1956)
- Make Me (1956)
- Sometimes I Wonder (1956)
- I Need A Plan (1956)
- I'm Willing to Share This With You (1956)
- The Story's Old (1956)
Arranged and Conducted by Nelson Riddle
In the days when recording artists did not write their own material, it
was not unusual for them to record more material than actually fit into
record companies' release schedules. As this album makes abundantly
clear, that was the case with Nat "King" Cole. Between December 20, 1955, and January 21, 1955, Cole held a series of recording sessions with arranger/conductor Nelson Riddle. Cole
was near the peak of his commercial appeal, but this was also a
transitional period in the record business, with rock & roll coming
in and claiming a big chunk of the pop singles charts. Though a Capitol
Records press release refers to this material as "an unissued studio
album," it's more likely that the recording dates were intended as
singles sessions rather than constituting an album project. Two singles
were extracted and released from the material, resulting in four chart
placings for "Night Lights," "Too Young to Go Steady," "To the Ends of
the Earth," and "Never Let Me Go." But at a time when Elvis Presley
was transforming the singles charts, the rest of these songs may have
been deemed old-fashioned. Several of the tracks ("Too Young to Go
Steady" among them) also came from a new stage musical, Strip for Action,
which closed out of town, possibly dooming the chances of the other
tracks being released. Nevertheless, these recordings contain excellent
performances of typically expressive Riddle charts. The wonder is that, in the 36 years since Cole's
death, Capitol has only bothered to release four of these tracks beyond
the four singles sides released at the time, leaving 12 unreleased Cole
masters of this quality. It's true that the performances are more
impressive than the actual compositions, but this album still
constitutes a welcome discovery among Cole reissues.
(By William Ruhlmann from allmusic.com)



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